Chris Capper - Recent Work
Medium: Oil on Panel
Artwork Size: 300 X 400mm
Geranium
Medium: Oil on Panel
Artwork Size: 400 X 300mm
Vase and 2 Paintings
Medium: Oil on Panel
Artwork Size: 400 X 300mm
Orange Flowers
Medium: Oil on Panel
Artwork Size: 400 X 300mm
5 Oranges and Storm
Medium: Oil on Panel
Artwork Size: 400 X 300mm
Enjoy Yourself
Medium: Oil on Panel
Artwork Size: 400 X 300mm
Grey Curtains
Medium: Oil on Panel
Artwork Size: 400 X 300mm
Daffodils
Medium: Oil on Panel
Artwork Size: 400 X 300mm
Lightning
Medium: Oil on Panel
Artwork Size: 510 X 410mm
Everything Matters
11. Oranges - $1800
Medium: Oil on Panel
Artwork Size: 510 X 410mm
Oranges
Medium: Oil on Canvas
Artwork Size: 510 X 410mm
Crucifix Lilly
Medium: Oil on Canvas
Artwork Size: 510 X 410mm
Window, Table Vase
Medium: Oil on Canvas
Artwork Size: 510 X 410mm
Andrew Layden's House
14. Night - $2500
Medium: Oil on Canvas
Artwork Size: 615 X 460mm
Night
15. 3 Jugs - $2500
Medium: Oil on Canvas
Artwork Size: 615 X 460mm
3 Jugs
Medium: Oil on Canvas
Artwork Size: 600 X 500mm
5 Oranges and 5 Cockatoos
Medium: Oil on Canvas
Artwork Size: 600 X 500mm
I Moved to Wickham in 2002
Medium: Oil on Canvas
Artwork Size: 610 X 510mm
2 1/2 Pears
Medium: Oil on Canvas
Artwork Size: 610 x 510mm
5 Carnations
Medium: Oil on Canvas
Artwork Size: 620 X 520mm
William Dobell's House Wangi Wangi
21. Cairns- $2500
Medium: Oil on Canvas
Artwork Size: 620 X 520mm
Cairns
22. 2 Vases- $2500
Medium: Oil on Canvas
Artwork Size: 620 x 520mm
2 Vases
23. Poppys- $2500
Medium: Oil on Canvas
Artwork Size: 620 X 520mm
Poppys
Medium: Oil on Canvas
Artwork Size: 610 x 510mm
The Old Military Hospital C1840 - James Fletcher Site
Chris Capper
Chris Capper’s meditative paintings offer a space for contemplation and reflection. His evocative compositions are careful considerations of form and space, yet are not committed to precise definition. Vibrant orbs imply flowers, while interiors are mapped in abstracted geometry, both recurring motifs throughout his works
Colour is harnessed as an emotional trigger; works bloom with a vibrant contrasting palette or are muted to convey a sense of sorrow about time passing, but with recognition for beauty and completeness. His paintings made in memorium are poignant with meaning through his deft touch.
Inhabiting a space between representation and formalist abstraction, Capper has a rare facility for the human condition that becomes poetic when he tells a story on canvas
Michael Hedger (excerpt from the catalogue essay for “Memorial, Icons and Signs”, The University Gallery, University of Newcastle)
