Chris Capper - Recent Work

  1. Geranium - $490

Medium: Oil on Panel

Artwork Size: 300 X 400mm

Geranium

 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

Vase and 2 Paintings

 
 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

Orange Flowers

 
 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

5 Oranges and Storm

 
 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

Enjoy Yourself

 
 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

Grey Curtains

 
 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

Daffodils

 

Medium: Oil on Panel

Artwork Size: 400 X 300mm

Lightning

 

Medium: Oil on Panel

Artwork Size: 510 X 410mm

Everything Matters

 
 

Medium: Oil on Panel

Artwork Size: 510 X 410mm

Oranges

 
 

Medium: Oil on Canvas

Artwork Size: 510 X 410mm

Crucifix Lilly

 

Medium: Oil on Canvas

Artwork Size: 510 X 410mm

Window, Table Vase

 

Medium: Oil on Canvas

Artwork Size: 510 X 410mm

Andrew Layden's House

 

Medium: Oil on Canvas

Artwork Size: 615 X 460mm

Night

 
 

Medium: Oil on Canvas

Artwork Size: 615 X 460mm

3 Jugs

 
 

Medium: Oil on Canvas

Artwork Size: 600 X 500mm

5 Oranges and 5 Cockatoos

 
 

Medium: Oil on Canvas

Artwork Size: 600 X 500mm

I Moved to Wickham in 2002

 
 

Medium: Oil on Canvas

Artwork Size: 610 X 510mm

2 1/2 Pears

 

Medium: Oil on Canvas

Artwork Size: 610 x 510mm

5 Carnations

 

Medium: Oil on Canvas

Artwork Size: 620 X 520mm

William Dobell's House Wangi Wangi

 
 

Medium: Oil on Canvas

Artwork Size: 620 X 520mm

Cairns

 
 

Medium: Oil on Canvas

Artwork Size: 620 x 520mm

2 Vases

 
 

Medium: Oil on Canvas

Artwork Size: 620 X 520mm

Poppys

 

Medium: Oil on Canvas

Artwork Size: 610 x 510mm

The Old Military Hospital C1840 - James Fletcher Site

 
 
 

Chris Capper

Chris Capper’s meditative paintings offer a space for contemplation and reflection. His evocative compositions are careful considerations of form and space, yet are not committed to precise definition. Vibrant orbs imply flowers, while interiors are mapped in abstracted geometry, both recurring motifs throughout his works

Colour is harnessed as an emotional trigger; works bloom with a vibrant contrasting palette or are muted to convey a sense of sorrow about time passing, but with recognition for beauty and completeness. His paintings made in memorium are poignant with meaning through his deft touch.

Inhabiting a space between representation and formalist abstraction, Capper has a rare facility for the human condition that becomes poetic when he tells a story on canvas

Michael Hedger (excerpt from the catalogue essay for “Memorial, Icons and Signs”, The University Gallery, University of Newcastle)